Friday, July 30, 2021

Reilly Hadden's Fellas

One of Reilly Hadden's long-term projects as an artist is examining masculinity. Even in Astral Birth Canal, which featured fantasy scenarios, one of the central relationships was that of a father and his son. In his Krikkit comics, the titular character gently explores his environment and his relationships. In his new mini Fellas, he explores masculinity and brotherly love between two professional wrestlers. The comic's dialogue is taken verbatim from a video clip taken after a huge match.



The wrestlers in question are Sheamus, the Celtic Warrior, and Cesaro, the Swiss Superman. In storyline, they were once bitter enemies who were forced to become a tag team called The Bar ("We don't set the bar...we are the Bar!") who became one of the WWE's greatest tag teams. At a certain point, the team was split up. It's important to note that in storyline, they were ruthless heels (bad guys); in essence, the epitome of toxic masculinity. 

The comic picks up after Sheamus lost to his former best friend Drew McIntyre in a fantastic, hard-hitting match. Wrestling is a hybrid of combat sports, improv, theater, burlesque, and a variety of other carny arts, designed to create a powerful emotional response through a visceral narrative. In the comic, Sheamus sees his old friend Cesaro after this nearly overwhelming experience with this match and breaks down crying. In the video, it was a beautiful moment of vulnerability and intimacy between two friends. Hadden heightens this emotion through an art style that emphasizes the sheer, sweaty physicality of the two men. 

The magic of wrestling is that kayfabe (keeping true to the narrative) is a marvelous confluence of honest feelings and an exaggerated story. Sheamus and Cesaro knew they were being filmed, but the constancy of the performance (in and out of the ring) simply fell away in that moment. The camera no longer mattered. It was two friends who understood what had just happened on a deep level that outsiders couldn't really comprehend. It was two friends who had shared months on the road who were put on different shows, sharing that moment and expressing their love and grief related to their separation. It's a moment of incredible tenderness, of words being expressed through tears and Cesaro's words of praise for the match meaning everything. Their characters are caricatures,expressed loudly and simply enough so that a fan in the book row can understand what's going on. However, the men, the performers are real. It's the thrill and the stress and anxiety of being a particular kind of performer, and only a man who had become your chosen family truly understanding. Hadden captures all of this beautifully, with the sheer size and muscular physique of the two men emphasizing, rather than belying, their physical and emotional intimacy. If these two powerhouses can allow themselves this kind of emotional openness, why can't all men relate to each other in this way?

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