Thursday, March 14, 2019

CCS Extra: Reilly Hadden

Somehow, I missed that Reilly Hadden had sent me the final issue of his Astral Birth Canal series when I was covering his work last December. Issue #13 wrapped up some storylines and left some questions open as well, which will be picked up in his follow-up series, Astral Forest. This has been one of my favorite-ever CCS-related series, packing fantasy, horror, slice-of-life intimacy and even women's professional wrestling into a single and often bewildering package.

This issue is subtitled "Ghosts Stories," and it is a self-contained story that also acts as a framing device for last issue's cliffhanger ending. It all sort of hooks together a number of elements present in the series without quite explaining them all the way. For example, it follows the story of Bork, the god-warrior and his lover Valentina, a human pro wrestler. Bork was on earth to capture a "disgraced god-king" but was decapitated by him in the previous issue. This issue follows Bork's rebirth and Val's apparent death. The framing device is a series of stories told by a bird-creature and his apprentice on a boat, sailing the titular Astral Birth Canal. This is the first time that the series' title has been addressed since the 0 issue that brought humans to another realm by way of a video game. The bird-creature is similar to the sort we've seen in the other main storyline of the series, and it's clear that he has some sort of influence over life and death.

What makes this issue so effective is that Hadden doesn't burden the reader much with details and continuity. Instead, the focus is on the bird-creature's storytelling, which is almost folksy in tone. In many respects, this issue recapitulates the running theme for the series: the thin veil between life and death. The Canal actually being real and accessible for travel is a manifestation of the series' many deaths, resurrections, and reincarnations. It's an incubator for myths and legends, but what makes the series fascinating is that Hadden depicts these stories as being terrifying rather than heroic. People are thrown into the middle of a horrifying and inexplicable magical world and forced to attempt to survive. The reader is thrown into the middle of an epic storyline with no backstory, meaning that one simply has to accept the absurdity of the situation when reading it. This issue brought a small amount of clarity while creating any number of new mysteries. Throughout the series, Hadden kept the reader guessing and constantly entertained as he pursued his storytelling whims, and I'm curious to see what the tone of the new series will be like.

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