Ana Two is one of the most exciting artists to emerge from CCS this decade (and I believe this so fervently, that we will be publishing book by them soon). This little mini, Storm Drain, came from this year's Riff Raff anthology, which in turn is edited by CCS alum King Ray. This is only a 4-page, but so many of Two's interesting storytelling elements are at work here. This is a two-track narrative, with the first arc being about a nameless narrator leaving behind a journal on a napkin that yearned to be drained, washed away, and become a new person. This accompanies the distorted, psychedelic imagery of a body wasting away, becoming skeletal, and finally being reformed. The bottom third of each page is taken up by big text, acting as a sort of call-and-response with the rest of the narrative. Every gesture and statement Two makes in their comics is big. The emotions are over-the-top, bursting out--uncontainable. The desire to live, to die, to control, to be controlled, supercedes everything else, and the exaggerated art reflects.
I find Iris Gudeon's strange little comics to be utterly baffling in a way I enjoy. The figures (usually animals) are simple and cute, the humor is often corny in a deliberately labored way, and it all amounts to what you see is what you get. There's no larger message, no intricate character work, no intense drawings. It is purely strange and cute gag work, but less in terms of having punchlines and more in terms of one artist's fancy flowing smoothly and freely on the page. All of this is true about Standing Cats, whose sensibilities are somewhere between Dr. Seuss and B.Kliban. Drawn in what looks like colored pencils, there's a vibrancy to these yellow cats going about various activities, including building chairs (with or without a sense of obligation), doing taxes, and staring at the sun. It's just a bit of nonsense, but I always look forward to this kind of nonsense from Gudeon. One thing I did notice is that their line is much more confident here than it was in their earlier minis.


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