Thursday, September 12, 2019

Artists To Seek Out At SPX 2019

Here's my usual dive into artists that SPX-goers should definitely check out. As always, I try not to repeat names from previous years and other shows.



1. The Triangle's Finest (Table W67) That would be three excellent cartoonists from the Research Triangle in my state of North Carolina: Andrew Neal (Hillsborough), Adam Meuse (Cary), and Max Huffman (Carrboro). Neal is the former owner of the excellent Chapel Hill Comics and the artist behind the hilarious and strange Meeting Comics. Meuse has been producing funny, strange, and touching minis for years, including the classic Sad Animals and Square. Huffman is a fairly recent grad of the School Of Visual Arts, He's a wild stylist with comics like Plaguers Int'l and Garage Island. This will be one of the best tables at the entire show.

2. Lance Ward (Table J9). I've been a fan of Ward's scorched-earth autobio for years, and I'm pleased to see his work get wider recognition. His new book, Blood and Drugs, is a harrowing and honest look at how an injury forced him to adapt to using a scrawled, almost manic style. He'll be at the Birdcage Bottom Books table, but all of his work is highly recommended.

3. ShortBox (Table W8).  The cutting-edge publishing concern of Zainab Akhtar will have a major presence at SPX. Like any smart publisher, she's way ahead of the curve with regard to up-and-coming talents; she was one of the first to become aware of Rosemary Valero-O'Connell, for example. This table will be jam-packed with great comics you may not have seen before. Zainab herself will not be there, but the books will be!

4. Diskette Press (Table I14). Carta Monir & Co. have quickly become a force to be reckoned with on the publishing scene. Come check out the work of Ignatz Award nominees Emma Jayne and Mar Julia in particular, but there's a wide variety of material to choose from.

5. Eleri Harris (Table L9). This Australian and graduate of the Center For Cartoon Studies is also a Nib editor and find historical/editorial cartoonist in her own right. Her historical comics are consistently well-sourced, funny, and fascinating.

6. Rachel Masilamani (Table A6a). I've been following her career since her Xeric Grant days, and her personal, poetic, and sometimes enigmatic work is better than ever. I'm excited that she has a chance to show off her work to a new audience.

7. Kate Lacour (Table H8-9). Her brand-new book Vivisectionary is out from Fantagraphics, and this is an engaging, witty, and visceral bit of body horror. Lacour's dry sense of humor is ever-present in this collection of drawings that were previously published in minicomics form, but the production values on this book make it a bizarre, beautiful art object.

8. Mary Shyne (Table I13a). This recent CCS grad is coming armed with her new book, Get Over It. Shyne's work is a perfect combination of top-notch production design and color, a playful line, and dialogue that mixes fantasy and verisimilitude. This will be one of the best books of the show.

9. Rikke Villadsen (W68-69). One of many Danes attending the show, Villaden's The Sea was a surreal, erotic, and terrifying mix of tropes and genres. Her pencil work, in particular, is dense and visceral. She'll also be at the Fantagraphics table.

10. Breena Nuñez (E11b). Her personal and political comics are playful, expressive, and powerful. Her comics about being Afro-Guatemalan often delve into family stories, but she's just as adept in using dynamic and innovative techniques in talking about injustice.

11. Glom Press (W6). Marc Pearson will be repping this excellent Australian Risograph publisher in their first SPX appearance. Bailey Sharp's My Big Life and Aaron Billings' Mystical Boy Scout #4 are particularly great.

12. Keren Katz (C13b). Katz is one of the most brilliant cartoonists working today. I haven't taken the deep dive into her work that I've wanted (I've only reviewed one book out of her extremely prolific output), but the way she works dance, abstraction, and comics-as-poetry into her narratives is relentlessly fascinating and confounding. There aren't many artists with a more sophisticated color palette, either. Her new book, The Backstage Of A Dishwashing Webshow, will be out from Secret Acres.

Tuesday, September 3, 2019

Small Press Comics Critics Announce Formation Of Nonprofit Publishing House Fieldmouse Press

Grass Valley, CA: Today, veteran comics critics Daniel Elkin, Alex Hoffman, Rob Clough, and Ryan Carey announced the formation of a new, non-profit publishing company, Fieldmouse Press, establishing a visionary, ambitious, and dedicated multi-venue publishing initiative within the burgeoning small press comics community. The company’s first publishing project, SOLRAD (www.solrad.co), will publish comics criticism, essays, interviews, and new comics as a part of a larger effort to serve the public good. SOLRAD will launch at the beginning of January 2020.

Fieldmouse Press will be operated by President Daniel Elkin, long-time publisher and editor at Your Chicken Enemy, with Alex Hoffman, publisher of Sequential State serving as Secretary/Treasurer. Rob Clough of High-Low Comics and Ryan Carey of Four Color Apocalypse round out the company's initial board of directors. The aim of Fieldmouse Press is to emphasize its four pillars of "comics, critique, community, and collaboration" by presenting challenging, unique, and diverse material to as wide an audience as possible.

Of the press’ founding, Secretary/Treasurer Alex Hoffman said, “Our goal is to provide a space for readers, artists, and the general public to explore the comic arts in the many forms they come in. As a 501(c)(3) nonprofit organization, our goal is to serve this community that we love and do something we think hasn’t been possible before now. And as a nonprofit organization, we can take chances that other publishers haven’t.”

Fieldmouse's first major publishing project will be a new website, SOLRAD (www.solrad.co), which will be a comics journalism hub featuring all-new and original content ranging from comics criticism, original comics, essays, interviews, and the promotion of small-press events and releases. Further publishing projects will be announced in due course, and will likewise share in the company's expansive, inclusive, and innovative vision.

Interested parties are encouraged to contact any of Fieldmouse's founders with questions, comments, and any business-related correspondence at:

Daniel Elkin: elkin@fieldmouse.press
Rob Clough: clough@fieldmouse.press
Alex Hoffman: hoffman@fieldmouse.press
Ryan Carey: carey@fieldmouse.press