Daniel Spottswood usually does amusing and fictional slice-of-life comics, but in Son of Nix! and April 2018, he focuses on life with his wife and toddler son. The latter comic is printed on light cardboard stock and folds out like a calendar, with each day's slot containing either a four-panel strip or a single image. Spottswood's cute style is juxtaposed against his frustrations with his job and the difficulties of raising an active toddler. Some days are cute, like when his son gave him a good-night kiss but not for his mom. Some days are filled with emotion, like when he unloads on his wife for being so messy and then is immediately filled with shame. Some days are filled with having to bend to the iron will of a toddler who demands a certain kind of play. Spottswood also manages to read eight books in the month in addition to drawing this strip, finding the energy despite having a job that clearly enervates him. Working as a store dealing with shelving and organizing products is actually made worse by working for a friend as a manager, who is wishy-washy in terms of leadership. Despite all of the frustrations, one can sense a great deal of joy in this work, especially when he sees his son delight in something. The cute, spare line Spottswood uses is ideal for this kind of work when a lot of art is crammed into a small space, though some of the lettering is hard to read.
Son Of Nix! focuses in on Spottswood's son, Philip, in a standard minicomic format. There's a variety of work to be found: naturalistic drawings of his son, four-panel strips (in a size that lets them breathe), single-page gags and expressions of frustration, and more. Some strips are written taking Philip's point of view in mind, like how upsetting it is for your first birthday, surrounded by strangers and your food on fire. There are gags about play telephones that are very funny because Spottswood knows how to sell them both to the reader and his son. There's a lovely silent strip where he comforts Philip when he has a fever, falling asleep with him in his bed. There are more funny expressions of frustration, like when Philip knocks over his coffee in order to play with his cup or when Philip bashes him to wake him up before the sun rises. What I like most about these strips is their sense of being in the moment. There's a presentness in Spottswood's approach, especially in this mini, that focuses on the moment-to-moment life of being a parent. That gives them an almost visceral impact, both in terms of their humor but also their anger and frustration.
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