tag:blogger.com,1999:blog-3295141461906714106.post8610578743633509555..comments2024-03-29T01:12:45.077-07:00Comments on High-Low: Fragments: Mome #13Rob Cloughhttp://www.blogger.com/profile/12671203398083374216noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-3295141461906714106.post-37522138030938820522009-02-28T23:35:00.000-08:002009-02-28T23:35:00.000-08:00Thanks, Marc! The Ott story was OK, I've just alwa...Thanks, Marc!<BR/><BR/> The Ott story was OK, I've just always seen him as a kind of gimmicky artist. The gimmick, for me, wears thin after the first few times. <BR/><BR/> Interesting observation about the Shelton/Simmons transition. I'm guessing it wasn't coincidental; it almost felt like one story bled into the other for a minute!Rob Cloughhttps://www.blogger.com/profile/12671203398083374216noreply@blogger.comtag:blogger.com,1999:blog-3295141461906714106.post-23976558125245846562009-02-20T19:42:00.000-08:002009-02-20T19:42:00.000-08:00Great review, Rob, and I couldn't agree more with ...Great review, Rob, and I couldn't agree more with you about Satellite CMYK. Even compared to Dash's previous Mome stories, this one stands out. I actually liked Ott's story better than you did, but agree that Greenberger's album lists were weak. <BR/><BR/>One thing that struck me was the way the very last panel of Gilbert Shelton's story and the very first panel of Josh Simmons' Jesus Christ were, essentially, the same image, and yet the two artists styles contrasted side by side like that showed just how different a basic idea like a city with mountains in the background can be drawn. I wonder if the editors meant to present these side by side, or if it was just coincidental.Marc Sobelhttps://www.blogger.com/profile/11794558807120320127noreply@blogger.com